A Feminist Interpretation of Bram Stoker's Dracula Essay 1556 Words 7 Pages In his Literary Theory: The Basics, H. Bertens classifies stereotypes of women in literature into a number of categories; dangerous seductress, self-sacrificing angel, dissatisfied shrew, and defenseless lamb, completely incapable of self-sufficiency, or self-control, and dependent on male intervention.
Dracula. From a feminist perspective, are the female characters in Bram Stoker's Dracula oppressed? The quick answer is yes. While the male characters seem to be overly protective of their female.When Count Dracula threatens Jonathan during his attempt to attack Mina, Mina does what the Victorian culture would expect in a situation like this and puts her husband’s life and safety before hers. Through the final attack on innocent Mina, Stoker illustrates the raw desire of men exploiting innocent women and testing their submissiveness.Mina’s son) and this description is earned as he lay dying, having pushed through a mortal injury to stab Dracula in the heart and rid the world of an ancient evil (Stoker 399). Being a “mother” does not marginalize Mina because even after her child is born she still “is” a “gallant woman,”.
Feminist Theory cannot be used to analyze Dracula as a whole but it can be used to analyze the texts multiple female characters. Therefore, Bram’s stoker’s Dracula can be analyzed through feminist theory by focusing on the characters Lucy Westenra, Mina Harker, and the three brides of Dracula.
Poor Mina! She gets victimized right on the edge of her marriage bed, with her husband powerless to step in and save her. The posture of Mina and Dracula here, with him holding the back of her neck and forcing her to, um, imbibe his body fluids, is often read as a kind of rape.
Stoker makes references to the New Woman in Dracula through Mina, characterizing her as a well-informed woman of the 1890’s. Mina sets herself above the New Woman, rejecting the concept for its.
Comparing Barnabas And Dracula 's Dracula Essay - In the beginning of Bram Stoker’s Dracula, Count Dracula buys properties in London, England to seduce Mina and impose mayhem in the exterior land. On the other hand, in Dark Shadows, Barnabas Collins is set free and returns to Collinwood, where his family are in of his protection.
Mina Harker is the perfect example of a Victorian woman. In contrast with Lucy, her sexuality is hardly mentioned and she is constantly described as pure and free of impure desires. Even after having the wafer scar on her forehead, once Dracula is killed the mark goes away and she is once again the quintessence of purity. At the end of the.
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Dracula Bram Stoker (Full name Abraham Stoker) Irish novelist, short story writer, and essayist. The following entry presents criticism on Stoker's novel Dracula (1897). Dracula is one of the.
Dracula Feminism. Stoker’s novel, Dracula is a piece of gothic literature in which Count Dracula inflicts grief and pain upon mortal men by attempting to charm and steal their women, eventually turning them into vampires. Stoker portrays women as unintelligent beings who will follow the Count because of his apparent charm, strength, and stereotypical beauty.
Sample Essay. Another important accept of the sexuality in Dracula is that it is associated with evil and corruption and in contradiction with the divinity of God. There is a distinctive clash of good and evil in the book although these lines get blurred when Mina is bitten.
Bram stoker, in Dracula, showed his point of view of women.He represented Mina as a traditional woman who is quite passive and submissive.On the other hand, he represented Lusy and the three beautiful vampires who are active, voluptuous and sexually aggressive.
With castles, hidden streets, waterways, recurring rainy weather, interesting European architecture, and mystique, London is the perfect location for Bram Stoker’s Dracula.London: The capital of Great Britain, and the center of attention in the nineteenth century, due to the many incidents that were going on at the time.The novel includes many daunting scenes, such as when Dracula heaves a.
Dracula: The Unjust War for Feminine Thought Linus Landucci College Dracula “Mere “modernity” cannot kill.” The year is 1897, and European culture is changing. Skepticism about both Christianity and the introduction of Darwinism into common thought is current, and the concept of what we now call “feminism” is planting its.
Mina, on the other hand, represents the new breed of women, those who are independent, smart, and resourceful, like current men of the time. Mina is successful in her battle against Dracula, where Lucy is not. This was perhaps a prophecy on Stoker’s part as to how he thought the women’s rights scene would play out. Stoker portayed women as.
In Bram Stoker’s Dracula, the female characters, whether it be the lively and flirtatious Lucy, the sexually liberated vampire wives, or the journal-collecting wife of Harker, Mina, all exhibit traits that fall within the category of “New Women.” However, the fates of these characters--especially that of Lucy and Mina--demonstrates Stoker’s disapproval of the movement. For, underneath.